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From 1993 to 1999, the Bertrand Maréchal Paris collections recast the archetypal model of haute couture – suits, dresses and evening wear – by linking it to urban wear: t-shirts, jeans and sweatshirts.

As soon as his earliest collections were shown, Bertrand Maréchal’s approach attracted the support of Vogue Paris editors Franceline Pratt, Marie-Amélie Sauvé and Martine de Menthon; but also Le Monde journalist Laurence Benaïm; Michel Cressol and Loïc Prigent from Libération;and Suzy Menkes of Herald Tribune.

The clothes were immediately photographed by Helmut Newton, Ines van Lamswerde & Vinoud Matadin, Jean-Baptiste Mondino and Ellen von Unwerth, and offered for sale by Maria Luisa in Paris, Harrods of London and Henri Bendel in New York,

 

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From 1993 to 1999, the Bertrand Maréchal Paris collections recast the archetypal model of haute couture – suits, dresses and evening wear – by linking it to urban wear: t-shirts, jeans and sweatshirts.

As soon as his earliest collections were shown, Bertrand Maréchal’s approach attracted the support of Vogue Paris editors Franceline Pratt, Marie-Amélie Sauvé and Martine de Menthon; but also Le Monde journalist Laurence Benaïm; Michel Cressol and Loïc Prigent from Libération;and Suzy Menkes of Herald Tribune.

The clothes were immediately photographed by Helmut Newton, Ines van Lamswerde & Vinoud Matadin, Jean-Baptiste Mondino and Ellen von Unwerth, and offered for sale by Maria Luisa in Paris, Harrods of London and Henri Bendel in New York,

 

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IM1


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PHOTOV.


PHOTOV.


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BAS


BAS


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VOGUE2


VOGUE2


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JAMBE2


JAMBE2


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New Page


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texte b


texte b


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GIVENCHY


HUBERT DE GIVENCHY ASSISTANT
1982 - 1984

GIVENCHY


HUBERT DE GIVENCHY ASSISTANT
1982 - 1984

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FASHION DESIGNER
1980 - 1982


ACTRESS EVA IONESCO
ARTIST HAZEL GOMEZ
ART DIRECTOR JEAN - PAUL GOUD

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FASHION DESIGNER
1980 - 1982


ACTRESS EVA IONESCO
ARTIST HAZEL GOMEZ
ART DIRECTOR JEAN - PAUL GOUD

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